
Dowel Biswas
Dowel is always thinking about a million things at once and writes to make sense of it all. Feel free to send her your thoughts at [email protected]
Dowel is always thinking about a million things at once and writes to make sense of it all. Feel free to send her your thoughts at [email protected]
As Dhaka shimmered beneath days of rainfall, a quiet enchantment stirred inside the Sheraton Ballroom last Friday; however, this wasn't just another evening of performances. “Badol Diner Prothom Kodom Phul”, hosted by MW Magazine Bangladesh, unfolded more like a dream shared between memories and monsoon.
Panthakunja, located on Sonargaon Road, was once a rare oasis in the capital
More than just a home for the arts, it has long been a custodian of collective memory, responsible for shaping a culturally enriched, humane Bangladesh, rooted in its historical context. Despite its undeniable impact in preserving traditions, amplifying artistic expression, and cultivating national identity, the institution has long been a target for political manipulation, corruption, and political parties’ quests to control the cultural conscience of the country.
Thousands of Bangalees ushered in Bengali Year 1432 at Ramna Batamul on Monday morning, as Chhayanaut’s iconic Pahela Baishakh celebration marked its 58th edition with renewed hope, harmony, and heritage.
As the sun rose over Dhaka, Chhayanaut’s Pahela Baishakh celebration for the Bengali year 1432 began at Ramna Batamul. The theme of Chhayanaut's Pahela Baishakh celebration this year is "Amar Mukti Aloy Aloy" (my freedom lies in light). Through this theme, Chhayanaut aims to convey a message of hope, resilience, and renewal.
As the nation now stands on the cusp of renewal, Pahela Baishakh 1432 arrives at a time when the people of Bangladesh are eager to reclaim their cultural voice—seeking a deeper connection to its identity, heritage, and hope. For centuries, it has been an occasion of collective celebration, resilience, and unity.
Chhayanaut is all set to celebrate Bangla New Year, Pahela Baishakh, with its iconic cultural programme at Ramna Batamul in Dhaka.
Renowned musician and social activist Farzana Wahid Shayan, known for her bold stance on gender inequality and oppression, has once again raised her voice in response to the alarming rise of gender-based violence in Bangladesh. In recent weeks, a wave of brutal incidents, including the rape of eight-year-old Asiya by a relative, has sent shockwaves throughout the nation, prompting widespread outrage and calls for justice.
Parsha Mahjabeen Purnee holds two very distinct identities among her audiences, one more intriguing than the other—she is a musician and now an actor with her (groundbreaking) debut in Jahid Preetom’s “Ghumpori”. A third-year university student who inspired millions through her song, “Cholo Bhule Jai” during the July Movement gets candid with The Daily Star about her journey, new-found fame and future aspirations.
This rally, which brought together theatre artistes, writers, directors, designers, and cultural activists, came in the wake of the controversial resignation of Syed Jamil Ahmed, the Academy’s former director general. The procession aims to voice a clear and urgent demand for not only the reinstatement of Ahmed but also for the autonomy of Shilpakala Academy, free from bureaucratic interference.
The much-anticipated annual Nazrul Utsav 2025 kicked off yesterday, celebrating the philosophies of Kazi Nazrul Islam, the national poet whose works embody a powerful message of secularism, humanity, and unity. The two-day festival, organised by the Bangladesh Nazrul Sangeet Songstha (BNSS) at the Chhayanaut premises, is scheduled to run from 5pm to 9:30pm, featuring performances by over 100 artistes from Bangladesh.
Eminent Bangladeshi artist and creator of the iconic "Tokai"character, Professor Rafiqun Nabi, was denied access to the stage at an art exhibition at the Faculty of Fine Arts, University of Dhaka. The event, held yesterday, was meant to celebrate and showcase the talents of emerging artists from the university's Department of Drawing and Painting. However, what unfolded left many questioning the university’s priorities.
In a career that spanned over six decades, Zakir Hussain worked with not just India’s musical stalwarts like Pandit Ravi Shankar and Ustad Ali Akbar Khan but also legends like George Harrison and Van Morrison.
The Bangabandhu International Conference Centre glittered last night as celebrities, influencers, and artistes gathered for the third edition of the coveted Blender’s Choice-The Daily Star OTT & Digital Content Awards.
In a country where a sense of freedom has barely returned after over a decade of suppression, the question of a writer’s role looms large.
Shayan’s work is a blend of personal reflection and sharp social commentary, involving themes from lost relationships to biting political critiques. In songs like “Jonotar Beyadobi”, “Bhoy Banglay Bhoy”, “Ei Meye Shon”, and “O Neta Bhai”, she speaks not just of struggles, but of hope for a better world, calling for collective action against injustice.
As we celebrate the artiste’s 80th birth anniversary and reflect on four years since we lost him, we remember Aly Zaker as more than just an actor; as a visionary who understood the transformative power of storytelling. His legacy reminds us that art is not merely entertainment—it is the heartbeat of life itself, shaping how we see, feel, and understand the world.