Panthakunja, located on Sonargaon Road, was once a rare oasis in the capital
More than just a home for the arts, it has long been a custodian of collective memory, responsible for shaping a culturally enriched, humane Bangladesh, rooted in its historical context. Despite its undeniable impact in preserving traditions, amplifying artistic expression, and cultivating national identity, the institution has long been a target for political manipulation, corruption, and political parties’ quests to control the cultural conscience of the country.
Thousands of Bangalees ushered in Bengali Year 1432 at Ramna Batamul on Monday morning, as Chhayanaut’s iconic Pahela Baishakh celebration marked its 58th edition with renewed hope, harmony, and heritage.
As the sun rose over Dhaka, Chhayanaut’s Pahela Baishakh celebration for the Bengali year 1432 began at Ramna Batamul. The theme of Chhayanaut's Pahela Baishakh celebration this year is "Amar Mukti Aloy Aloy" (my freedom lies in light). Through this theme, Chhayanaut aims to convey a message of hope, resilience, and renewal.
As the nation now stands on the cusp of renewal, Pahela Baishakh 1432 arrives at a time when the people of Bangladesh are eager to reclaim their cultural voice—seeking a deeper connection to its identity, heritage, and hope. For centuries, it has been an occasion of collective celebration, resilience, and unity.
Chhayanaut is all set to celebrate Bangla New Year, Pahela Baishakh, with its iconic cultural programme at Ramna Batamul in Dhaka.
Farooki declared that this year’s New Year celebrations would bring together not just Bengali citizens, but also 27 ethnic communities from across the country. “Diversity is our most powerful and beautiful asset,” he said.
Dr Israfeel Shaheen, a noted theatre director and professor at the Department of Theatre and Performance Studies, University of Dhaka, has many achievements in his bag as a prominent theatre personality who is taking Bangladesh’s folk, indigenous, and improvisational theatrics to the world’s stage. However, besides his commendable accomplishments, he always traces back to his roots and brings forth what we, as Bengalis have to offer centered on our rich cultural genesis and resourcefulness.
The spring festival began with a captivating dance performance by a prominent Chinese Cultural organisation, the Song and Dance Ensemble of Yunnan Province. Performers created the Hani dance “Divine Bird Flapping Swings of China” at the event.
On her tenth death anniversary today, we remember Suchitra Sen, Bengal’s first female superstar, and a feminist in spirit, who took charge of her own fate and challenged the common norms that surround or define femininity.
The short film has been selected to compete at the festival on January 5. After being declared as a finalist on Wednesday, it will be screened on January 15, informed Arafat Mohsin Nidhi, director of the production, to The Daily Star.
While every alleyway, street and locality has been adorned with posters, the most impressive promotion of this election is perhaps the innovative and catchy songs that are being played at political stalls, through mikes, moving vans and rickshaws.
Founded by Jude Kelly CBE, WOW - Women of the World is an international festival that started its journey in 2021 in Bangladesh. It organises community events nationwide by offering a platform to celebrate the voices of women and girls, whether living within or beyond the margins of society.
Gaudiya Nritya is a Bengali classical dance originating in Gaur, Bengal, the ancient capital of the region. Gaudiya Nritya is a composite art form representing the pre-colonial division of larger Bengal with a unique combination of music, history, poetry, literature, drama and rhythm.
The popular theatre troupe is going to conclude a glorious year with one of its initial plays, eminent thespian Azad Abul Kalam directorial “Koinna”, being staged at the Bangladesh Shilpakala Academy on Wednesday (December 13) at 7 PM .
Talented singer Atiya Anisha became a household name in the Bangladeshi film and music industry with her crowd-favorite playback singles like “Cholo Niralay” from the movie “Poran”, “Jadur Ayna” from the web-film “Antonagar”, and more. Recently, she received the Best Singer Award in the female category for the song “Ei Shohorer Pothe Pothe” from the movie “Payer Chhaap”, at the Bangladesh National Film Awards. The talented songstress dropped by The Daily Star for a chat.
To a practised eye, the images, paintings, satirical cartoons and visuals of Palestine, a country with a very rich heritage, art and cultural background and which has been diminished to the verge of destruction, where humanity is barely surviving, did not seem any less or more than what it is: A targeted cultural persecution.
