Sarah Anjum Bari
Sarah Anjum Bari is a writer and editor, pursuing an MFA in the Nonfiction Writing Program at the University of Iowa where she also teaches rhetoric and literary publishing.
Sarah Anjum Bari is a writer and editor, pursuing an MFA in the Nonfiction Writing Program at the University of Iowa where she also teaches rhetoric and literary publishing.
The walls of Dhaka city represent the volume and chaos of thousands of people jostling for ever-shrinking space.
It's true, I feel differently about books that I previously disliked or enjoyed reading and books that I want as a physical presence in my life
It’s hard not to recall our many conversations about literature as I try to summarise Shah Tazrian Ashrafi’s debut collection of short stories. They were always short discussions, opening and closing off in spurts, as happens over text. Exclamations over a new essay collection by Zadie Smith, or a new novel by Isabel Allende.
In the foreword, I wanted to capture how I, as a child, grew up listening to different stories: ghost stories, mythical stories from both Sanatana and Islamic religious scriptures, and fairy tales from 'Thakurmar Jhuli', compiled by Dakkhinaranjan Mitra Majumdar. It was a time when there were no boundaries for my imagination.
Like many veterans, I joined a creative writing MFA program because I wanted to evolve as a writer.
Here was a woman who was but a dot amidst the throngs of people who watched the Bosphorus Bridge being opened in October 1973, as fireworks erupted over a Turkey that now seamed Asia to Europe.
I always tell the authors to make subjective, qualitative decisions. So many of my authors say no to higher offers from publishing houses if they don’t feel comfortable with the publisher or editor.
Last week, one of Dhaka’s oldest bookstores announced that they will be closing shop after running for 60 years
Literature is our main area of interest.But we also want to highlight areas of intersection between literature and science, politics, pop culture, human rights, and new media.
Qadir’s book includes insight on the origins and evolution of journalism in Bangladesh, firsthand experiences of journalists who have struggled and resigned from large media houses, research and case studies, and proposed solutions.
If you are reaching out to an agent, go and find out exactly what sort of work that agent publishes. Also, think in terms of what would differentiate your work with the work of 39 other authors.
Shurjo’s Clan uses magic realism to conjure Shurjomukhi’s freedom fighter uncles, who were martyred in Sylhet’s tea gardens during the 1971 Liberation War, and her grandmother, who took her own life shortly after the 1947 Partition.
The novel opens with a photographer, the eponymous Maali Almeida, who has woken up dead in a celestial visa office, while his body sinks in the Beira Lake in Colombo. Maali has seven moons to find the man and woman he loves and lead them to "a hidden cache of photos that will rock Sri Lanka".
The Penguin Classics edition of Sultana’s Dream and Padmarag comes in a paperback, ebook, and as an audiobook narrated by Priya Ayyar, a television and film actor and award-winning audiobook narrator with a BFA and MFA from NYU's Tisch School of the Arts.
I discover that teaching is more about reading people.
Daily Star Books editor Sarah Anjum Bari speaks with Fahmida Azim about her work with The Insider and about the responsibilities of visual storytelling.
‘Nil Chhaya' connects the Indigo Revolt to the oppressions faced by present day garment factory workers in Bangladesh.
The evening of September 8 at The Daily Star Centre saw an outpouring of verses to a live and very interactive audience. Daily Star Books and SHOUT jointly launched our series of Slam Poetry Nights—an evening, every month, of verses recited in the spirit of creative freedom.