Sarah Anjum Bari
Sarah Anjum Bari is a writer and editor, pursuing an MFA in the Nonfiction Writing Program at the University of Iowa where she also teaches rhetoric and literary publishing.
Sarah Anjum Bari is a writer and editor, pursuing an MFA in the Nonfiction Writing Program at the University of Iowa where she also teaches rhetoric and literary publishing.
The walls of Dhaka city represent the volume and chaos of thousands of people jostling for ever-shrinking space.
It's true, I feel differently about books that I previously disliked or enjoyed reading and books that I want as a physical presence in my life
It’s hard not to recall our many conversations about literature as I try to summarise Shah Tazrian Ashrafi’s debut collection of short stories. They were always short discussions, opening and closing off in spurts, as happens over text. Exclamations over a new essay collection by Zadie Smith, or a new novel by Isabel Allende.
In the foreword, I wanted to capture how I, as a child, grew up listening to different stories: ghost stories, mythical stories from both Sanatana and Islamic religious scriptures, and fairy tales from 'Thakurmar Jhuli', compiled by Dakkhinaranjan Mitra Majumdar. It was a time when there were no boundaries for my imagination.
Like many veterans, I joined a creative writing MFA program because I wanted to evolve as a writer.
Here was a woman who was but a dot amidst the throngs of people who watched the Bosphorus Bridge being opened in October 1973, as fireworks erupted over a Turkey that now seamed Asia to Europe.
I always tell the authors to make subjective, qualitative decisions. So many of my authors say no to higher offers from publishing houses if they don’t feel comfortable with the publisher or editor.
Last week, one of Dhaka’s oldest bookstores announced that they will be closing shop after running for 60 years
From watching the judges taste her fried sardines with beetroot and blood orange to witnessing the triumph of a a date-nestled, ice cream infused paan and panta bhaat with aloo bhorta, the journey of Bangladeshi-Australian Chef Kishwar Chowdhury has been one of pride and inspiration to everyone watching.
In an episode of Star Book Talk aired live on Friday, July 9, author-anthropologist Tahmima Anam and DS Books Editor Sarah Anjum Bari discussed Anam’s latest novel, The Startup Wife (Penguin India, 2021). They discuss writing tactics, feminism in literature, and Anam’s influences on the path to becoming an award-winning author.
Earlier this week, in a break from work-related correspondence, I sent author Tahmima Anam a personal email. I told her I was writing to her “as a reader” this time, because after months of scarfing down books for the sole purpose of writing reviews, The Startup Wife (Penguin India, 2021) made me forget that I was reading it for work.
In a detour from all the genres and topics that we review on this page, this monthly column on short stories is a little treat to ourselves—a short and delicious reminder of what the simple act of storytelling can accomplish.
It was during the peak of the coronavirus crisis, amidst the punishing heat of June, that we geared up to launch Daily Star Books on this very day in 2020.
Nostalgia, yes, but also a degree of ambivalence.
In 1857, a wave of uprisings sparked through India in a bid to overthrow the British rulers. The Sepoy Mutiny was the first time Indian soldiers rose against the British East India Company in the face of corruption and unjust social reforms—including ruthless land taxes that unfairly penalised the working class.
“Kichudin jabot Dhakay cholchhe prochur gorom, abar eki shathe shaolar gondho chorano brishti hochhe.” The incessant heat and rainfall, the month of May, the lull of Eid holidays and the call of books, films, and music are just some of the elements that make Apurba Jahangir’s Footnotes (Subarna, 2021) a fitting read for this time of the year.
“Muktishongram-e ami jog diyechhilam bishuddho ekjon biplobi hishebe”.
The River Tales (2021) is a series of graphic novels for children, commissioned by Asia Foundation’s ‘Let’s Read Asia’ digital library project and produced by HerStory Foundation in an effort to raise awareness about Bangladesh’s heritage and culture. Sarah Anjum Bari, editor of Star Books, speaks to Katerina Don, curator at HerStory Foundation, writer Anita Amreen, and artist Sayeef Mahmud about their processes of research, writing, and graphic designing for the series.