Sarah Anjum Bari
Sarah Anjum Bari is a writer and editor, pursuing an MFA in the Nonfiction Writing Program at the University of Iowa where she also teaches rhetoric and literary publishing.
Sarah Anjum Bari is a writer and editor, pursuing an MFA in the Nonfiction Writing Program at the University of Iowa where she also teaches rhetoric and literary publishing.
The walls of Dhaka city represent the volume and chaos of thousands of people jostling for ever-shrinking space.
It's true, I feel differently about books that I previously disliked or enjoyed reading and books that I want as a physical presence in my life
It’s hard not to recall our many conversations about literature as I try to summarise Shah Tazrian Ashrafi’s debut collection of short stories. They were always short discussions, opening and closing off in spurts, as happens over text. Exclamations over a new essay collection by Zadie Smith, or a new novel by Isabel Allende.
In the foreword, I wanted to capture how I, as a child, grew up listening to different stories: ghost stories, mythical stories from both Sanatana and Islamic religious scriptures, and fairy tales from 'Thakurmar Jhuli', compiled by Dakkhinaranjan Mitra Majumdar. It was a time when there were no boundaries for my imagination.
Like many veterans, I joined a creative writing MFA program because I wanted to evolve as a writer.
Here was a woman who was but a dot amidst the throngs of people who watched the Bosphorus Bridge being opened in October 1973, as fireworks erupted over a Turkey that now seamed Asia to Europe.
I always tell the authors to make subjective, qualitative decisions. So many of my authors say no to higher offers from publishing houses if they don’t feel comfortable with the publisher or editor.
Last week, one of Dhaka’s oldest bookstores announced that they will be closing shop after running for 60 years
Those of us who love literature are haunted by an ever-looming threat: that reading as a practice around the world is dwindling.
The soft light of the setting sun illuminates the entire section every time I walk in, mostly because I AM ALWAYS LATE. On one side white balloons hang, on another side a dart board.
Every November, Dhaka Lit Fest creates a hub of stimulating activities and conversations for the culturally inclined.
After six months of reading 151 books longlisted into 11, narrowed down further to six, the Booker Prize judges on October 14 announced this year’s winner—the “best novel” produced in English in the UK and Ireland (regardless of the author’s nationality) over the past one year.
Along the banks of the Sitalakhya river in Narayanganj, some 20 villages in Sonargaon, Rupganj, and Siddhirganj in particular, women villagers starch yarn in lime and toasted rice to make warp yarn—the vertical, lengthwise weaves that make up a fabric.
About one-third of the way through in Kabir Singh, which is now out on Netflix, the protagonist (Shahid Kapoor) charges into a college campus with his girlfriend Preeti (Kiara Advani).
Too often, we perceive books as invincible, inanimate objects. But their history is as ancient as it is ambiguous—what is a book
Seven thirty pm on Star World was when it began for me. I was young—too young to be watching Monica and Chandler kiss, to get
Just like the pools that drip from Abdallah's home into the longer al-Awafi alleys, these insightful, heartfelt snippets capture the lived experience of an Oman in transition over decades
A tiny red gate jostles for space among shops, apartments, and the flurry of traffic in Block F of Lalmatia in Dhaka. Like the name