Every emotion associated with pregnancy and childbirth is amplified...
About a month ago, a few friends sent me invites to follow the...
Today I would like to talk about a book that I have been waiting to...
Tahmima Anam’s fourth and latest novel, The Startup Wife (Penguin...
Netflix’s latest anthology series, Ray, is based on four short...
When I began reading Homeland Elegies (Little, Brown and Company,...
In a detour from all the genres and topics that we review on this...
Even though we moved out of our grandmother’s house in Dhaka more...
Last week, we marked the 10th year of my father’s death, on June...
Mrittika Anan Rahman (MAR): What does it say about Bollywood that...
Sufia Kamal’s is a name revered in nearly every household in the...
In their latest offering, Sensing Bangladesh – A Children’s...
Female empowerment is often seen as a luxury reserved for...
I know it’s hard when you want to travel, but life, owing in no...
Afsan Chowdhury’s Sheikh Mujibur Rahman and Bangladesh: The Quest...
Shamsul Alam’s From Love Lane to the World: Tales of Travel &...
Sponsored by IFIC Bank, this year’s Kali O Kolom Torun Kabi O...
It is impossible to ascribe any one particular character to...
Reading Sarah Hogle’s Twice Shy (GP Putnam’s Sons, 2021) is like...
Not all books fulfil the purpose of exploring metaphors or offering...
On June 3, 2021, Bangladeshi-born British writer Tahmima Anam...
While DC and Marvel, the two big dogs of the comic book industry,...
In the middle of nowhere, among the wide expanse of paddy fields...
While the world might seem like a place only made for extroverts,...
We barely see cross-disciplinary initiatives that try to understand our media, culture, society and politics. In this wake, Dr Ratan Kumar Roy’s Television in Bangladesh: News and Audiences (Routledge, 2021) offers a rich ethnography of television news practices in Bangladesh, with a foreword by Marcus Banks, Professor of Visual Anthropology at Oxford University.
In the 1890s, many South Asians were brought to Uganda by the British Empire for administration and development purposes.
When searching for literature covering the role of the Mukti Bahini in the victory of 1971, a noticeable dearth of objective analyses is apparent.
Here is a door stopper for the lingering period of hibernation. All 522 pages provide ample literary support for long-term homebound inmates.
Last week, I decided to pen a tribute to my favourite authors of science fiction, a love letter, really, that has long been in the pipeline.
Hellfire is at once a book about patriarchy and the toxic strand of matriarchy that supports it. Through the lives of sisters Lovely and Beauty, both kept from socialisation and even attending school deep into middle age, the novel captures near perfectly the convoluted blueprint of life for South Asian women.
It wasn’t until my 20s that I realised I had read less than 10 Bengali women authors in my childhood and adolescence.
“How does Tagore intoxicate a growing young man . . . .? How has Dhaka transitioned through the Partition of Bengal and the birth of the University of Dhaka? . . . . how does one remember-- with nuance, with style-- icons of history and culture . . . .?”
Binod K Chaudhary, the chairman of the CG Corp Global conglomerate group, is Nepal’s first billionaire and possibly the most successful industrialist in his nation.
The River Tales (2021) is a series of graphic novels for children, commissioned by Asia Foundation’s ‘Let’s Read Asia’ digital library project and produced by HerStory Foundation in an effort to raise awareness about Bangladesh’s heritage and culture. Sarah Anjum Bari, editor of Star Books, speaks to Katerina Don, curator at HerStory Foundation, writer Anita Amreen, and artist Sayeef Mahmud about their processes of research, writing, and graphic designing for the series.