The history of Bangladesh’s conception is incomplete without recognising the multitudes of sacrifices and labour that academics and intellectuals had poured into their aspirations for Bangladesh, often at the cost of their own safety and livelihood.
Bangladesh is currently going through turbulent times as it tries to find its way out from dictatorial political rule towards an uncertain future. During the past decade, Bangladesh did achieve significant economic progress, but it came with increased economic inequality, unparalleled corruption, and loss of personal freedom.
Folk Melody of Bangladesh: An Anthology of Bangladesh Folk Music in Standard Notation is a music anthology that compiles 204 carefully chosen folk songs of Bangladesh that date from the 16th century.
The city of Prague, now the capital of the Czech Republic, was once the breeding hotspot of the 20th century’s greatest writers, scientists, scholars, and activists.
With the departure of an autocrat and the period of semi-expected-still-frightening chaos after, comes the period when we have to sit down to think of what comes ahead, know what we must not do, and get some direction on how we are supposed to go on. In light of this, the following articles and/or chapters have been curated for perspectives that might be needed in this unprecedented situation we’ve found ourselves in.
In January 2023, I was sitting in the crowd, listening in on a panel at the 10th and possibly the final edition of the Dhaka Lit Fest. Sheikh Hasina had already been in power for almost 15 years, and it felt like the sun would never set on Awami League, at least not in my lifetime.
Literary cannibalism refers to the retellings of Western classics written by colonised or formerly colonised countries. These authors aim to decolonise the mindset of the readers of the popular literary classics. Decolonisation is a violent process, and by comparing this genre with cannibalism it demonstrates the brutality of it.
Shahaduz Zaman is a familiar face in Bangladeshi literature, whose literary career spans decades of fruitful work. He regularly writes columns for Bangla newspapers, has written a few notable biographical fiction, such as Ekjon Komolalebu (Prothoma, 2017), based around the life of Jibanananda Das, and has garnered some duly needed appreciation for ethnographic work on the history of medicine during the liberation war.
Some among us might have wondered what it feels like to hold a lit bomb between our palms. One that will go off inevitably yet its spark, heat, force, weight, and pulsating nature are so fascinating that we are unable to put it down or look away, all the while knowing at the end of the wick we too will be destroyed—a chosen death, a voluntary annihilation.
The title of the first of Professor Rehman Sobhan’s two-part memoir suggests that it is about his “years of fulfilment”; the subject matter of its sequel therefore would be about the “untranquil” years that followed.
As we close the curtains on the first month of the new year and step into the second, here at Star Books and Literature, we are thinking back on the year we had.
It’s been a while since I had been meaning to get my hands on a book by Shashi Tharoor, and when my sister asked me what she could get me from Kolkata, I immediately said I’d love to read a book by the renowned Indian author, politician, columnist, and critic.
My introduction to the Bangla translation of Japanese books happened during my visit to Baatighar Chittagong. It was there that I encountered the Bangla translations of works by one of my favourite Japanese writers, Haruki Murakami, back in 2021. Then last year, I found myself enchanted with the promise of Morisaki Boighorer Dinguli (Abosar Prokashona, 2023); the allure of the black edition of the book boasting ebony pages and stunning artwork had me yearning for the book months before its scheduled release.
When I read the title of Charlotte Stroud’s article “The curse of the cool girl novelist” and the accompanying description of said type of novelist, I had a solid image of what she was referring to. Stroud describes “cool girl novelists” as “depressed and alienated”, “incurably downcast”, and “terminally sad”. It had similarities with “sad girl” literature, a supposedly new genre captivating readers and publishers alike.
During the mid 20th century, when female wordsmiths somewhat flourished with their newly published works, they were still suppressed under the dominance of male authors.
Jhumpa Lahiri has always been the rare author whose prowess in the art of the short-story far surpassed her novelistic talents.
We highlight seven nonfictional books that allow us to understand the history and discourse around the struggle better.