At the heart of Aguni lies Rabindranath Tagore’s “Raktakarabi”, a work long associated with anti-authoritarian thought. But Nawsaba has reshaped it, interweaving stories from Bangladesh’s history of resistance, from farmers’ movements to the July 2024 uprising to create what she describes as “a symbolic and political retelling through puppetry and song.”
Almost eight years ago, my eyes encountered a mystical green painting that looked like a fluid fairy forest. That piece, along with several others, shared a similar sense of fluidity. They belonged to a senior from both my school and university. Since then, this style of artwork, known as fluid acrylic art, has become one of my obsessions, making me dive into its world. When I thus came across artist Farida Yesmin Parveen's art exhibition event on social media, I realised that she's someone I must meet.
For decades, his works stood sentinel across the landscape of this country—quiet but powerful witnesses to our struggles, our resilience, and our history. “Sangsaptak”, perhaps his most defining piece, looms outside Jahangirnagar University’s central library like a frozen cry.
An anthropos' wish embedded in a sculptural form, shaped by soil, emerging from the void inside a mold: this is what meets the eye at Murshed Jahangir’s exhibition “I Wish to Be Here.”
Renowned sculptor and painter Hamiduzzaman Khan, whose work etched the spirit of Bangladesh’s Liberation War into the nation’s public memory, has died. He was 79.
Drawing from Sunil Gangopadhyay’s acclaimed novel “Moner Manush”, the play delves into the spiritual and philosophical essence of Lalon’s akhra—his vibrant space of music, dialogue, and resistance.
Set against a parched desert landscape, the play follows a paranoid merchant, a humble porter, and a local guide as they journey across unforgiving terrain in pursuit of profit and survival. A fatal misunderstanding leads to tragedy, unfolding into a courtroom drama that questions whether justice can truly be impartial when wealth and power dominate the rules.
The acclaimed stage production “Asharossho Prothom Diboshe” by Theatre Factory is set to return to the stage tomorrow, at 7:15pm at the Mohila Samity Auditorium on Bailey Road.
Bangla Movement Theatre is set to present “Yoddha,” a historical and imaginative tragedy that delves into the history of Mainamati.
Ahmed initially managed to calm the protestors, allowing the performance to start, but their discontent flared up again as they regrouped at the entrance to the theatre hall. When some attempted to breach the gate, Ahmed and Desh Natok members decided to call off the performance.
On October 26, Melbourne’s Fitzroy Town Hall was transformed for "CineGala 2024," an event hosted by the Melbourne NSU Alumni Association. The gathering honoured the golden era of black-and-white cinema, with participating guests immersing themselves in the elegance of a 1960s-inspired theme.
Bangladesh Shilpakala Academy had to reportedly halt an ongoing show yesterday in face of a mob gathering at its gate
A versatile artist, SAM Showket Hossain, competent in landscapes, still lives, abstract paintings, line art, and floral paintings — all of which radiate undeniable charms — uses colors and subjects fanning out the peaceful essence of a Friday morning. His skills have the ability to draw the attention of artists and non-artists alike.
Under the theme "In fear, we falter; in defiance, we are Bangladesh," the festival aims to revitalise cultural expression in the post-July Revolution spirit.
Set to premiere on 25 November at Kolkata’s Gyan Mancha, the play signifies the end of an era for the beloved artiste.
In a statement issued by Assistant Secretary Lakshmi Rani Ghosh on October 29, it was announced that the government has reconstituted the eight-member board of trustees under the authority of Section 6 of the Kabi Nazrul Institute Act, 2018, as amended on June 13, 2022.
In the spirit of post-July Revolution rejuvenation, Shilpakala Academy seeks to reinvigorate cultural expressions across all social layers. With the theme “In fear, we falter; in defiance, we are Bangladesh,” the festival will run from November 1 to November 7 at Mukto Moncho in Suhrawardy Udyan in the capital.
This workshop brings the Dutch Delft Blue ceramic tradition to Bangladesh, encouraging cultural exchange and collaboration.
