Rafi Hossain: Selim Bhai, how has the pandemic affected your work?
Rafi Hossain: How did you get associated with the Tower Hamlet’s Season of Bangla Drama?
I can’t describe myself in just three words. But, I would say I’m emotional, sensitive, full of life and moody.
This is a very special film. I was able to see life from a different perspective through it. A chance to play such an amazing character doesn’t come often, so I consider this as a big achievement.
Rafi Hossain: Thank you for giving us time, Mim. Are you currently very busy with the promotion of your film, ‘Shapludu’?
Tell us something about yourself. The answer to that is very complicated. I would say I’m just someone searching for something. I don’t know what that thing is though, as of now.
Rafi Hossain: Rafiqun Nabi sir, can you share your thoughts on the current state of art culture in our country?
We would define Doob as half of all our hearts. We want to do music that is so simple that it would touch everyone at their core. You could say at Doob, we don't have plugs.
Just when it seemed overdue, lo and behold, “Aynabaji” hit the box offices and history was made.
Dr. Israfil Shaheen is a director and professor at the Department of Theatre and Performance Studies, University of Dhaka.
Debuting in 2010 with “Khoj: The Search”, Bobby has established herself as a star in Bangladesh's film industry.
I have been pondering for some time now and planning on an album with a variety of the compilation of songs I've recorded over the years.
The ever affable Sadya Afreen Mallick is the recent winner of the prestigious Nazrul Award.
Sharmin did not have a silver-spoon upbringing; however, she was gifted with a tone that pulls at the very chords of the heart
Ramendu Majumdar was born on August 9, 1941 in Lakshmipur, the son of Late Kuntal Krishna Majumdar and Late Leela Majumdar. He is known for being an actor, stage director, and theatre producer.
My mother Khadija Begum, being a singer herself, has sparked the essence of music in me and was my initial guru. My uncle Mohammad Ali has also inspired me to analyse music.
I used to run a big music label called Urban Box Office and we sold most of our assets and a very popular song to EMI records for which I received a royalty from the company.
