Star Literature

Interview with a Birangona

From 'Seam', a book in the Crab Orchard Series in Poetry, co-published with Southern Illinois University Press. Copyright © 2014 by Tarfia Faizullah
Design: Maisha Syeda

1. What were you doing when they came for you?
 

Gleaming water sweeps over
Mother's feet. Bayonets. Teeth.

My green and yellow Eid sari
flaps damply between two palm

trees. Grandfather calls to me:
mishti maya. Girl of sweetness.

Aashi, I call back. I finish braiding
my hair, tie it tight. I twine a red string

around my thigh. That evening,
a blade sliced through string, through

skin, red on red on red. Kutta, the man
in khaki says. It is only later I realize

it is me he is calling dog. Dog. Dog.

2. Where did the Pakistani military take you, and were there others there?

Past the apothecary shop, shut
down, burned flat. My heart

seized, I told it to hush. They saw
its shape and weight and wanted

it too. Past the red mosque
where I first learned to touch

my forehead low, to utter
the wet words blown from

my mouth again and again. Past
the school draped with banners

imploring Free Our Language,
a rope steady around my throat

as they pushed me toward the dark
room, the silence clotted thick

with a rotten smell, dense like pear
blossoms, long strands of jute

braided fast around our wrists.
Yes, there were others there.

Illustration: MAISHA SYEDA

3. Would you consider yourself a survivor or a victim?

Each week I pull hard
the water from the well,

bathe in my sari, wring
it out, beat it against

the flattest rocks—Are you
Muslim or Bengali, they

asked again and again.
Both, I said, both—then

rocks were broken along
my spine, my hair a black

fist in their hands, pulled
down into the river again

and again. Each day, each
night: river, rock, fist—

the river wanders this way,
breaks that way, that is

always the river's play.

4. Were there other women there? Did you get along
with them?

Between us: a dark metal
bucket, our hands touching.

We pulled water together
from the muddy river we

used to sit beside before
we belonged to that smoke-

watered world missing brothers
and husbands and fathers. I ask for

Allah's forgiveness: I didn't know
I would cherish the vermilion

streak she drew into the seam of her
parted hair. I didn't know my body's

worth until they came for it. I held
her as she shook at night: pond water

scored by storm. She held me
as I shook at dawn. Don't you know

they made us watch her head fall
from the rusted blade of the old

jute machine? That they made us
made us made us made us made us?

 

From Seam, a book in the Crab Orchard Series in Poetry, co-published with Southern Illinois University Press. Copyright © 2014 by Tarfia Faizullah.

 

Tarfia Faizullah is a Pushcart winning poet and artist, born to Bangladeshi immigrant parents in Brooklyn, New York.

 

Comments

Interview with a Birangona

From 'Seam', a book in the Crab Orchard Series in Poetry, co-published with Southern Illinois University Press. Copyright © 2014 by Tarfia Faizullah
Design: Maisha Syeda

1. What were you doing when they came for you?
 

Gleaming water sweeps over
Mother's feet. Bayonets. Teeth.

My green and yellow Eid sari
flaps damply between two palm

trees. Grandfather calls to me:
mishti maya. Girl of sweetness.

Aashi, I call back. I finish braiding
my hair, tie it tight. I twine a red string

around my thigh. That evening,
a blade sliced through string, through

skin, red on red on red. Kutta, the man
in khaki says. It is only later I realize

it is me he is calling dog. Dog. Dog.

2. Where did the Pakistani military take you, and were there others there?

Past the apothecary shop, shut
down, burned flat. My heart

seized, I told it to hush. They saw
its shape and weight and wanted

it too. Past the red mosque
where I first learned to touch

my forehead low, to utter
the wet words blown from

my mouth again and again. Past
the school draped with banners

imploring Free Our Language,
a rope steady around my throat

as they pushed me toward the dark
room, the silence clotted thick

with a rotten smell, dense like pear
blossoms, long strands of jute

braided fast around our wrists.
Yes, there were others there.

Illustration: MAISHA SYEDA

3. Would you consider yourself a survivor or a victim?

Each week I pull hard
the water from the well,

bathe in my sari, wring
it out, beat it against

the flattest rocks—Are you
Muslim or Bengali, they

asked again and again.
Both, I said, both—then

rocks were broken along
my spine, my hair a black

fist in their hands, pulled
down into the river again

and again. Each day, each
night: river, rock, fist—

the river wanders this way,
breaks that way, that is

always the river's play.

4. Were there other women there? Did you get along
with them?

Between us: a dark metal
bucket, our hands touching.

We pulled water together
from the muddy river we

used to sit beside before
we belonged to that smoke-

watered world missing brothers
and husbands and fathers. I ask for

Allah's forgiveness: I didn't know
I would cherish the vermilion

streak she drew into the seam of her
parted hair. I didn't know my body's

worth until they came for it. I held
her as she shook at night: pond water

scored by storm. She held me
as I shook at dawn. Don't you know

they made us watch her head fall
from the rusted blade of the old

jute machine? That they made us
made us made us made us made us?

 

From Seam, a book in the Crab Orchard Series in Poetry, co-published with Southern Illinois University Press. Copyright © 2014 by Tarfia Faizullah.

 

Tarfia Faizullah is a Pushcart winning poet and artist, born to Bangladeshi immigrant parents in Brooklyn, New York.

 

Comments

ঘন কুয়াশায় ঢাকা-মাওয়া এক্সপ্রেসওয়েতে একাধিক গাড়ির সংঘর্ষ, নিহত ১

মাওয়ামুখী লেনে প্রথমে একটি প্রাইভেট গাড়িকে পেছন থেকে ধাক্কা দেয় একটি কাভার্ডভ্যান। তারপরে একটি বাস প্রাইভেট গাড়িকে পেছন থেকে ধাক্কা দেয়। কাভার্ডভ্যানের পেছনে এসে ধাক্কা দেয় আরেকটি মাইক্রোবাস।...

১৭ মিনিট আগে