Bangabandhu
Suborna Mustafa safe after attack on her home
In a time when remembering the contributions of Bangabandhu is seemingly being questioned, actress Rokeya Prachi courageously took her stand in mourning Sheikh Mujibur Rahman, almost single-handedly.
Opinion / The new age demands a re-reading of Bangabandhu
Bangabandhu as a subject of study should be approached with an openness to embrace truths, however unflattering.
Breaking chains through whistleblowing
Why does it matter for us when a foreign individual is free after such a long time?
Column by Mahfuz Anam: From people to a ‘bubble’
Today's Awami League only speaks to the mirror because it cannot tolerate the retort that would come if it spoke to the people.
AR Rahman talks about his love for Bangla and Bangabandhu
AR Rahman is currently at the 77th Cannes Film Festival to unveil his musical documentary "Headhunting to Beatboxing".
Rawnak Hasan to portray war hero Sheikh Fazlul Haque Moni
Sheikh Fazlul Haque Moni was one of the nephews of Bangabandhu Sheikh Mujibur Rahman. He was the founder of Mujib Bahini Bangladesh Liberation Force-BLF, one of the major guerrilla forces of the Bangladesh Liberation War.
Little progress in bringing 5 fugitive killers back
The government’s efforts to bring back the five fugitive killers of Father of the Nation Bangabandhu Sheikh Mujibur Rahman to the country have yet to see any significant and visible progress.
When the message of Bangladesh’s liberation travelled on two wheels
Jamal Hasan and his three teammates decided to go on a goodwill mission for the fledgling state to thank the people of the world for supporting their Liberation War.
Bangabandhu through the eyes of Japanese filmmaker, Nagisa Oshima
The Japanese film director, Nagisa Oshima is a glaring exception. Primarily known for his New Wave style of filmmaking, in many cases, Nagisa Oshima has brought up rebellious and underprivileged youths in his films. Compared to the usual subject matters of his films, it is interesting to see that his two documentaries focusing on Bangladesh, Joi Bangla (1972) and Rahman: Father of Bengal (1973), are different. He finds the intense glory of Bangladesh's achievements in the context of 1972-73 even when the country was in a war-torn condition following the war in his film Rahman: Father of Bengal.
Suborna Mustafa safe after attack on her home
In a time when remembering the contributions of Bangabandhu is seemingly being questioned, actress Rokeya Prachi courageously took her stand in mourning Sheikh Mujibur Rahman, almost single-handedly.
The new age demands a re-reading of Bangabandhu
Bangabandhu as a subject of study should be approached with an openness to embrace truths, however unflattering.
Breaking chains through whistleblowing
Why does it matter for us when a foreign individual is free after such a long time?
Column by Mahfuz Anam: From people to a ‘bubble’
Today's Awami League only speaks to the mirror because it cannot tolerate the retort that would come if it spoke to the people.
AR Rahman talks about his love for Bangla and Bangabandhu
AR Rahman is currently at the 77th Cannes Film Festival to unveil his musical documentary "Headhunting to Beatboxing".
Rawnak Hasan to portray war hero Sheikh Fazlul Haque Moni
Sheikh Fazlul Haque Moni was one of the nephews of Bangabandhu Sheikh Mujibur Rahman. He was the founder of Mujib Bahini Bangladesh Liberation Force-BLF, one of the major guerrilla forces of the Bangladesh Liberation War.
Little progress in bringing 5 fugitive killers back
The government’s efforts to bring back the five fugitive killers of Father of the Nation Bangabandhu Sheikh Mujibur Rahman to the country have yet to see any significant and visible progress.
When the message of Bangladesh’s liberation travelled on two wheels
Jamal Hasan and his three teammates decided to go on a goodwill mission for the fledgling state to thank the people of the world for supporting their Liberation War.
Bangabandhu through the eyes of Japanese filmmaker, Nagisa Oshima
The Japanese film director, Nagisa Oshima is a glaring exception. Primarily known for his New Wave style of filmmaking, in many cases, Nagisa Oshima has brought up rebellious and underprivileged youths in his films. Compared to the usual subject matters of his films, it is interesting to see that his two documentaries focusing on Bangladesh, Joi Bangla (1972) and Rahman: Father of Bengal (1973), are different. He finds the intense glory of Bangladesh's achievements in the context of 1972-73 even when the country was in a war-torn condition following the war in his film Rahman: Father of Bengal.
Bangabandhu: A miracle of history
At the hour of utmost need, the leader gave us a clarion call to unite.