fiction review
BOOK REVIEW: FICTION / ‘Huckleberry Finn’ through the eyes of Jim
Everett’s breezy, fast-moving retelling of Mark Twain’s The Adventures of Huckleberry Finn (1884) is about putting in some due respect.
BOOK REVIEW: FICTION / All our heroes end up dead
Review of ‘The Seven Moons of Maali Almeida’ (Sort of Books, 2022) by Shehan Karunatilaka
BOOK REVIEW: FICTION / It’s summer, it’s New York, and the girls are dressed up (and broke)
Happy Hour greeted me like a warm hug. This is definitely one of the sweetest books I’ve read this year, and possibly one of the sweetest books I will ever read.
BOOK REVIEW: FICTION / Agonies of the downtrodden
Anasru Ishwar written by Kazi Labonno is an impressive work of fiction, shedding light on the deepest gloom pervading the remotest corner of society.
BOOK REVIEW: FICTION / Mermaids are real: A story of the Haenyeo
Dear readers. I want you to do something with me. Take three long breaths—as deep as you can. Now hold it for two minutes! How long did you hold? I only survived one minute and 23 seconds. And I’m used to spending time in the water.
BOOK REVIEW : FICTION / Riding the early years of motherhood through ‘Soldier Sailor’
While reading it, one might feel that they are reading a mother’s confessions while she takes care of her son.
BOOK REVIEW: FICTION / A “knockout” debut from Rita Bullwinkel
The eight girls in Headshot clearly hope to escape the chaos of their lives in the ring.
BOOK REVIEW: FICTION / 'Prophet Song': Full of sound, fury, and significance
The 309-page-long dystopian novel is an oppressive account of Eilish who tries to keep her family from falling apart as everything around her crumbles.
BOOK REVIEW: FICTION / Otherness and invisible identities
'The Hippo Girl and Other Stories' holds up a mirror to a society that judges and ridicules those that do not adhere to its shortsighted vision of a homogenised culture.
In search of American freedoms
Increasingly over the years, American literary fiction has centered upon rage—a rage brought on by family, one’s own identity or, through the very cruelty of economic catastrophe.
The Runaway Boy: A promise not delivered
The Runway Boy (Eka, 2020), written by Manoranjan Byapari and translated from Bangla by V Ramaswamy, delivers an accurate portrayal of postcolonial Bengal,
Emily Wilson’s ‘The Iliad’ is a triumph in translation
Wilson hasn’t written a retelling from the perspectives of the subjugated but has rather been true to the original, although she doesn’t shy away from acknowledging the sheer misogyny of the Homeric period.
An underwhelming kidnapping
Perhaps the book's biggest fault is that it ends up being (unintentionally or not) a response to Nabokov’s Lolita.
Blood, rage and love on the verge of 1971
Reading Rahad Abir’s Bengal Hound, despite the novel being written in English, felt a lot like reading in Bangla. While no two languages can ever truly be compared, there is much to be said about seeing Bangla and Bangladesh through an English language lens.
Making a killing out of a killing
A visit to any bookshop today will attest to the reading public’s fascination with crime (and criminals).
Twistier than a jilapir pyatch
It’s a truism to say that modern life is complicated, but even a couple of decades ago, it would have been hard to predict the things we are dealing with today.
Western Lane: Grief unfolding on squash court
There is more squash in the book than most readers will take a liking to, but the game sometimes works as a metaphor for the bigger picture.
The occult thrills of ‘The Centre’
Rarely does a book arrive, a debut no less, that feels as inventive and accomplished as Ayesha Manazir Siddiqi’s The Centre. Her novel is built on the crossroads of interpretation and ownership, of the power of language and of those privileged enough to reclaim it.
‘The Dark Elf Trilogy’: The synergy between the novels and graphic novels
By visually capturing the characters, landscapes, and action scenes, the graphic novels enhance the reading experience and offer a fresh perspective on the beloved story.