“Art is empathy,” Fredrik Backman writes. So is friendship—the kind that stays with you long after the summer ends.The kind you find when you’re 14 and everything is breaking and beginning at once. The kind of friendship that becomes a map back to yourself, years later, when you’re lost in grief, guilt, or even just the quiet ache of growing up. Fredrik Backman’s My Friends is a love letter to those friendships.
These stories subtly highlight how even within patriarchal structures, men, too, are shaped, sometimes twisted by the systems they benefit from.
Storytelling is not easy, especially when a few words portray a character with depth and just enough strokes to etch the social milieu for certain classes and creeds and the outcomes of political ideologies in post-independent Bangladesh.
Ravindra's prose is brisk, smooth, and detailed, with numerous stories from traditional Nepali and Hindu folklore chipped in, adding layers as the story unfolds.
There are any number of ways one can approach Rahat Ara Begum’s collection of short stories, 'Lost Tales from a Bygone Era: An Anthology of Translation of Urdu Stories', assembled, contextualised, and published in this book by her loving grandchildren and their siblings
Begum Rokeya was once described as a “Spider Mother” (makar-mata or makarsha janani) in her biographical account but there is nothing sinister in this metaphor. The image of the spider here symbolises the quiet, patient, and selfless labour of an educator, caring for children who were not her own. Shamsunnahar Mahmud, her close co-worker, wrote: “Day after day in this way, with the blood of her own breast, Spider Mother began to revive hundreds of baby spiders into new life.”
‘Fit for the Gods: Greek Mythology Reimagined’ (Vintage, 2023), edited by Jenn Northington and S. Zainab Williams, is a collection of classic myths with a twist
Suzanne Collins’ Hunger Games series has captivated pop culture with its bold take on tyranny, sacrifice, and resistance, spanning Katniss Everdeen’s blazing defiance in The Hunger Games (2008) to her final stand in Mockingjay (2010) against Coriolanus Snow’s cold cruelty.
Beyond the celebration of Eid, this book also explores themes of love, loss, and the grief of spending a special occasion without a loved one.
The very first time I came across a description of this book, previously published under the title The Nigerwife (Atria Books, 2023),
Increasingly over the years, American literary fiction has centered upon rage—a rage brought on by family, one’s own identity or, through the very cruelty of economic catastrophe.
The Runway Boy (Eka, 2020), written by Manoranjan Byapari and translated from Bangla by V Ramaswamy, delivers an accurate portrayal of postcolonial Bengal,
Wilson hasn’t written a retelling from the perspectives of the subjugated but has rather been true to the original, although she doesn’t shy away from acknowledging the sheer misogyny of the Homeric period.
Perhaps the book's biggest fault is that it ends up being (unintentionally or not) a response to Nabokov’s Lolita.
A visit to any bookshop today will attest to the reading public’s fascination with crime (and criminals).
Reading Rahad Abir’s Bengal Hound, despite the novel being written in English, felt a lot like reading in Bangla. While no two languages can ever truly be compared, there is much to be said about seeing Bangla and Bangladesh through an English language lens.
It’s a truism to say that modern life is complicated, but even a couple of decades ago, it would have been hard to predict the things we are dealing with today.
There is more squash in the book than most readers will take a liking to, but the game sometimes works as a metaphor for the bigger picture.
Rarely does a book arrive, a debut no less, that feels as inventive and accomplished as Ayesha Manazir Siddiqi’s The Centre. Her novel is built on the crossroads of interpretation and ownership, of the power of language and of those privileged enough to reclaim it.
