Mowtushi Mahruba’s Africa in the Bengali Imagination: from Calcutta to Kampala, 1928-73 is a distinctive and pioneering work on the way the continent led to creative writing in English as well as Bengali over the decades
'On the Other Side of Silence' is a thoughtful volume of poetry, not just because it summarises every existential crisis that visits contemporary life but also because it engages, unlike a postmodern cynic, with the issues that plague the world
Shahid Alam and I go back a long way, though we had both half-forgotten it until recently. He was two years senior to me at St. Gregory’s High School.
Aptly named Ateet Theke Adhuna: Bangladesher Naari Lekhok, this collection is unlike a conventional anthology. Starting with Rokeya Sakhawat Hossain, the list of writers includes an impressive 66 great authors.
When I picked up Baitullah Quaderee’s 'Bangladesher Shater Dashaker Kabita', it wasn’t particularly out of scholarly curiosity. The book is, by design, a doctoral thesis—its structure conventional, its chapters arranged by academic demand—but what caught my interest was not the format, nor even the topic. It was the author himself.
In Lakshmi’s Secret Diary, Ari Gautier crafts a dazzling, multi-layered narrative that is as whimsical as it is profound.
These stories subtly highlight how even within patriarchal structures, men, too, are shaped, sometimes twisted by the systems they benefit from.
Storytelling is not easy, especially when a few words portray a character with depth and just enough strokes to etch the social milieu for certain classes and creeds and the outcomes of political ideologies in post-independent Bangladesh.
'On the Other Side of Silence' is a thoughtful volume of poetry, not just because it summarises every existential crisis that visits contemporary life but also because it engages, unlike a postmodern cynic, with the issues that plague the world
Mowtushi Mahruba’s Africa in the Bengali Imagination: from Calcutta to Kampala, 1928-73 is a distinctive and pioneering work on the way the continent led to creative writing in English as well as Bengali over the decades
Aptly named Ateet Theke Adhuna: Bangladesher Naari Lekhok, this collection is unlike a conventional anthology. Starting with Rokeya Sakhawat Hossain, the list of writers includes an impressive 66 great authors.
Shahid Alam and I go back a long way, though we had both half-forgotten it until recently. He was two years senior to me at St. Gregory’s High School.
When I picked up Baitullah Quaderee’s 'Bangladesher Shater Dashaker Kabita', it wasn’t particularly out of scholarly curiosity. The book is, by design, a doctoral thesis—its structure conventional, its chapters arranged by academic demand—but what caught my interest was not the format, nor even the topic. It was the author himself.
In Lakshmi’s Secret Diary, Ari Gautier crafts a dazzling, multi-layered narrative that is as whimsical as it is profound.
Storytelling is not easy, especially when a few words portray a character with depth and just enough strokes to etch the social milieu for certain classes and creeds and the outcomes of political ideologies in post-independent Bangladesh.
These stories subtly highlight how even within patriarchal structures, men, too, are shaped, sometimes twisted by the systems they benefit from.
Ravindra's prose is brisk, smooth, and detailed, with numerous stories from traditional Nepali and Hindu folklore chipped in, adding layers as the story unfolds.
How does one write about history? Certainly, there is the straight-forward, head-on approach, where a historical period is confronted directly by populating it with historical/fictional characters and portraying the times through their eyes.
