“Mr Speaker Sir, what did Bangalee intend to achieve? What rights did Bangalee want to possess? We do not need to discuss and decide on them now [after independence]. [We] tried to press our demands after the so called 1947 independence. Each of our days and years with Pakistan was an episode of bloodied history; a record of struggle for our rights,” said Tajuddin Ahmad on October 30, 1972 in the Constituent Assembly. He commented on the proposed draft constitution for Bangladesh, which was adopted on November 4, 1972.
Melissa Lozada-Oliva takes us on a bumpy apocalyptic horror ride in her debut novel Candelaria. Spanning across three generations of women, the novel ushers together an unsettled past and an even more bizarre present.
Pre-occupation Palestine had, to use Anglo-American poet WH Auden's words, "marble well-governed cities" full of "vines and olive trees." But Israel and its allies have turned it into "an artificial wilderness"
Review of ‘Apni Ki Alien Dekhte Chan?’ (Afsar Brothers, 2024) by Wasif Noor
Over the past couple of decades, Bangladesh has witnessed three significant social and political movements that have shaped the course of its history.
“All literature is regional; or conversely, no literature is regional”—is a common sentiment to have today, but I had first read those lines from Joyce Carol Oates, in her preface to a book of stories by one of Canada’s most gifted storytellers, Alistair MacLeod. In MacLeod’s short stories, his Cape Breton Island was a refrain through which the momentous lives of his ordinary characters came through.
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Gulshan Society held a two-day language festival at the Gulshan Lake Park, curated by Sadaf Saaz and Jatrik. The event took place over the weekend of 21-22 February that saw discussion panels, original musical performances, and poetry recitations, surrounded by an array of book stalls and food courts.
The evening of September 8 at The Daily Star Centre saw an outpouring of verses to a live and very interactive audience. Daily Star Books and SHOUT jointly launched our series of Slam Poetry Nights—an evening, every month, of verses recited in the spirit of creative freedom.
I found myself looking for him beyond the pages of Elias's novel, among the old men who beg on the streets of Dhaka, or in the madman lying on the footpath, trying to say something in a huff or lost in a hallucination on the open road.
Thanks to 2023's The Little Mermaid, Black and brown girls can finally see themselves as princesses in a film where the protagonist's skin colour is not as instrumental to the story as the princesses' heritage was in Aladdin, Mulan, and The Princess and the Frog.
The Infinite Library did not have books. It consisted of virtual spaces, a set of "eight jars" or volumes that—using a VR journey through the users' phones—told the story of our planet's evolution, starting from the beginning of cosmic dust to human consciousness.
"While the book is based on academic research, I've tried to write it for the 'interested educated reader'".
From mental health struggles to characters with different racial and LGBTQ+ backgrounds, the series shines a light on people—and heroes—of diverse identities.
The aim of a dohakar has always been to open the eyes of the masses. Many of the dohas written by the two prominent dohakars, Soroho-Pa and Kabir Das, have modernist, anti-establishment themes, criticising the social, political and religious conventions of their times.
As a reader, this classic novel will always remain in my heart as a symbol of courage, love, loss and above all, a symbol of enchantment.
One year, a week before Eid-ul-Adha, my grandma, Dadi, came to Dhaka from the village and broke into tears. “What happened?” we asked.
This is about living in a twilight world of a romance with fiction as well as non-fiction. It’s a ménage à trois that I wouldn’t ever end.
