At the heart of Aguni lies Rabindranath Tagore’s “Raktakarabi”, a work long associated with anti-authoritarian thought. But Nawsaba has reshaped it, interweaving stories from Bangladesh’s history of resistance, from farmers’ movements to the July 2024 uprising to create what she describes as “a symbolic and political retelling through puppetry and song.”
Almost eight years ago, my eyes encountered a mystical green painting that looked like a fluid fairy forest. That piece, along with several others, shared a similar sense of fluidity. They belonged to a senior from both my school and university. Since then, this style of artwork, known as fluid acrylic art, has become one of my obsessions, making me dive into its world. When I thus came across artist Farida Yesmin Parveen's art exhibition event on social media, I realised that she's someone I must meet.
For decades, his works stood sentinel across the landscape of this country—quiet but powerful witnesses to our struggles, our resilience, and our history. “Sangsaptak”, perhaps his most defining piece, looms outside Jahangirnagar University’s central library like a frozen cry.
An anthropos' wish embedded in a sculptural form, shaped by soil, emerging from the void inside a mold: this is what meets the eye at Murshed Jahangir’s exhibition “I Wish to Be Here.”
Renowned sculptor and painter Hamiduzzaman Khan, whose work etched the spirit of Bangladesh’s Liberation War into the nation’s public memory, has died. He was 79.
Drawing from Sunil Gangopadhyay’s acclaimed novel “Moner Manush”, the play delves into the spiritual and philosophical essence of Lalon’s akhra—his vibrant space of music, dialogue, and resistance.
Set against a parched desert landscape, the play follows a paranoid merchant, a humble porter, and a local guide as they journey across unforgiving terrain in pursuit of profit and survival. A fatal misunderstanding leads to tragedy, unfolding into a courtroom drama that questions whether justice can truly be impartial when wealth and power dominate the rules.
The acclaimed stage production “Asharossho Prothom Diboshe” by Theatre Factory is set to return to the stage tomorrow, at 7:15pm at the Mohila Samity Auditorium on Bailey Road.
Azad’s art explores the impact of climate-induced flooding and the tension between rural and urban environments. From the Sundarbans to Dhaka's dense urban fabric, her works reflect the convergence of these worlds, blending internal emotions with external observations of a landscape reshaped by human activity and environmental crisis.
In keeping with the exploration of the current themes in the nation’s art scene, an art exhibition displaying the windows into the complex narratives of our socio-cultural landscape was recently arranged by Zobra the Art Village and Dot to Line at Safiuddin Shilpalay in Dhanmondi. This five-day group exhibition titled, "Shilpa Sandhan", celebrated Bangladesh’s diverse and evolving art heritage, with the hosting of 55 artworks offering vibrant displays of creativity and emotion, from 24 contemporary artists.
In honour of Lalon's 134th death anniversary on October 17, the Bangladesh Shilpakala Academy has organised a three-day festival to celebrate his legacy. A press conference detailing the event will take place today at 3:00pm in the National Theatre Hall seminar room.
The formal aim of social documentary was initially to keep records, but by the 1930s, it evolved to enlighten and educate. Photographers gathered images to develop a ‘picture story’—a sequence of images that visually narrated incidents, with minimal text descriptions for context. These photo stories were powerful, capturing the world “in motion,” and representing people and their range of emotions—whether smiling, crying, angry, or vulnerable in moments as ordinary as any other in their daily lives.
As concerts, exhibitions, and theatre performances return in full swing, Dhaka is once again set to embrace its cultural vibrancy.
“Each photo will make people think, and that is our goal—to make people think, and we believe it will create an impact,” said Nawshaba.
The exhibition title, “Matir Manush” (which means "people of the soil"), is a term used to describe humble, down-to-earth individuals. Fittingly, the tepa dolls often depict our people, birds, and animals.
Veteran television actor Jamal Uddin Hossain passed away at the age of 81, in the early hours of this morning in Calgary, Canada.
After almost three months of closure, theatrical performances are set to resume today on a limited scale at the Bangladesh Shilpakala Academy in the capital. Bangladesh Theatre's production of "Sea Morog" will be performed at the National Theatre Hall auditorium on this inaugural day.
Sources at Shilpakala Academy confirmed that since the student-led protests, army personnel have been stationed in various rooms of the National Theatre Hall, making it impossible to allocate spaces for events or rehearsals. However, as conditions have improved, and following requests from cultural groups and organisations, the hall and two rehearsal rooms will now be available for theatre performances and rehearsals, albeit under strict conditions.
