“If properly planned, even now, Dhaka can be transformed into a very decent, liveable city. We can take advantage of the river, the khals, the lowlands, and the richness of the soil for the growth of trees and plants.
“O my body, make of me always a man who questions!” — Frantz Fanon had thundered, as if pleading with flesh and sinew to refuse silence, to resist obedience.
Medieval Bengal’s links to the Straits world, a narrow stretch of water connecting to Southeast Asia and beyond, are overlooked. This world saw not only ocean-going vessels, but also coastal and localised traffic which, like riverine transport, has gone largely unrecorded.
“If properly planned, even now, Dhaka can be transformed into a very decent, liveable city. We can take advantage of the river, the khals, the lowlands, and the richness of the soil for the growth of trees and plants.
“O my body, make of me always a man who questions!” — Frantz Fanon had thundered, as if pleading with flesh and sinew to refuse silence, to resist obedience.
The poet and playwright Michael Madhusudan Dutta (1824–73) made no effort to conceal his disapproval of traditional Brahmin pundits.
In the late afternoon, the sun seemed to drift hastily towards the Phuromon hill in the west. The krishnachura leaves whispered softly in the breeze while the birds’ chirping spread a melodic resonance.
Chittagong’s neighbour Sandwip is absent from Bay of Bengal history because its nature is hard to define.
The first experience of the great river Padma is nothing less than overwhelming, and slightly terrifying. I first came to face the mighty river as a young lad in my teens sometime in April of the momentous year of 1971. My first sighting came with two terrors. My father was fleeing Dhaka with the family with the hope of crossing the river to escape the brutal onslaught of the Pakistan army. Arriving at the banks, there was the Padda (Padma) before us with its glorious panorama. It seemed like an oceanic river, with no sight of the other side, and the frightening prospect of crossing it.
When Zainul Abedin left Calcutta (now Kolkata) in 1947, as India and Pakistan negotiated a partition-ridden freedom from the British Empire, he was one of the city’s most acclaimed artists.
Medieval Bengal’s links to the Straits world, a narrow stretch of water connecting to Southeast Asia and beyond, are overlooked. This world saw not only ocean-going vessels, but also coastal and localised traffic which, like riverine transport, has gone largely unrecorded.
Rabindranath Tagore, whose genius touched nearly every branch of the arts and literature, left an indelible imprint on the world of drama—not merely as a playwright, but as an actor, director, and visionary of the stage.
With the passing of Professor Tony K. Stewart, Gertrude Conaway Vanderbilt Chair in Humanities Emeritus, the field of South Asian religions, and more specifically, premodern Bengali literature, has lost one of its leading lights.
