Textbooks in Bangladesh tend to be written by foreign authors. Those that are written by Bangladeshi authors, emphasise on examples in a non-Bangladesh context.
Divakaruni has a message to send with this novel. To her, independence entails not just liberation or freedom from subjugation, it also means doing the right thing for oneself and for the people around us.
Although the book is written in English, he has plenty of doubt to dispense about the language, its usefulness, acceptance, and communicability when it comes to writing and creating art in Bangladesh.
It is the disease that maintains the upper hand in the plot. A jarring voice of its own, the toxins spilling across the pages in bold, chaotic words.
Part memoir, part magical realism, this is a story about identity and the idea of home.
The story of the ailing Bhawal prince, Ramendranarayan Roy, the Mejo Kumar, who while taken to Darjeeling to recuperate, died and was cremated there, under mysterious circumstances, and who then returned years later as a wandering ascetic with partial amnesia!
Andy Warhol suggested they tape their conversations on his Sony Walkman, to which Truman Capote agrees.
Nehru was revolted by Nazism and the persecution of Europe’s Jews. Bose…felt that the Indian struggle for freedom should override all other considerations.
I stumbled across a short story written by Aoko Matsuda called “Quite a Catch” in the Wasafiri literary magazine last month.
To write of Radiohead’s 2000 album Kid A is to add to the palimpsest of its criticism, at this stage a glowing, impossibly effusive set of texts.
For anyone looking to immerse themself in the literary culture of Bangladesh, Professor Razia Khan Amin’s name and presence are unavoidable.
Be it the classical enemies-to-lovers trope, the fake dating trope or the infamous, and endlessly intoxicating, love triangle, the stories below have covered it all.
Popular manga, biographies, children’s books, and latest international releases across genres are expected to become available at the store within two weeks of publication.
In this second installment, we talk about Purbo Banglar Bhasha Andolon O Totkaleen Rajneeti (The Language Movement of Bengal and Contemporary Politics), in which author and historian Badruddin Umar explains the cultural, economic, and historical context behind the Bangla language movement of 1952.
Similar to the mimicry of life by art, sometimes a book in our hands can acutely imitate the arcs of the love story we are in, ourselves—like the time a ghost lover stole a paperback Frankenstein from the neighborhood café as a last minute birthday gift for me, while our alliance reeked of haunted loneliness and painful assertions, or when one of my friends, a doctor by day and an avid reader by night, spoke about his first encounter with Harry Potter and the “cute, sweet girl across the hall.”
Ruta Sepetys’s The Fountains of Silence (Penguin Books, 2019) takes place in the 1950s, in a Spain reigned by fear and stifling laws, caught between the dichotomy of non-existent human rights on the one side, and a flourishing tourist scene and wealthy visitors wooed by the national regime on the other.
Vincent Bevins is an award-winning journalist who covered Southeast Asia and Brazil for the Washington Post and Los Angeles Times respectively.
The event provided the bookworms of Khulna with a unique opportunity to share their books with the community.